Why Meta’s project to translate automatically between 200 languages will be stymied by copyright

Meta’s AI division has announced two exciting new projects in the field of machine translation: The first is No Language Left Behind, where we are building a new…

Interview | James Love: The Copyright Ratchet, International Treaties & Fighting for Access

James ‘Jamie’ Love is Director of Knowledge Ecology International. His training is in economics and finance, and work focuses on the production, management and access to knowledge resources,…

PlayStation reminds people that digital ownership is vanishing, by removing films they had bought

Last month, we wrote about the imminent death of digital ownership. In case some people didn’t get the message, Sony’s PlayStation division has just made it crystal clear…

Facebook is so sure its erroneous blocking of music is right, there’s no option to say it’s wrong

It’s hardly a secret that upload filters don’t work well. Back in 2017, Felix Reda, then Shadow Rapporteur on the EU Copyright Directive in the European Parliament, put…

Why the true fans model is coming into its own now, and how to ensure its sustainability

Regular readers of this blog will know that we are big supporters of the true fans idea – that artists can thrive by building stronger connections with a…

The mighty Elsevier academic octopus adds another tentacle

Last year, Walled Culture noted that the academic publisher Elsevier enjoys an astonishing profit margin of 30-40%. Those profits, built on the free labour of academics writing about…

How copyright’s ownership obsession has turned magazine contracts into intellectual extractivism

The indispensable Cory Doctorow, who was the first person to speak with Walled Culture as part of its interview series, has yet another great post that encapsulates a…