Glyn Moody

When books were rare and extremely expensive, they were often chained to the bookcase to prevent people walking off with them, in what were known as “chained libraries”. Copyright serves a similar purpose today, even though, thanks to the miracle of perfect, zero-cost digital copies, it is possible simultaneously to take an ebook home and …

A key theme of Walled Culture the book (free digital versions available) is that copyright, born in an analogue age of scarcity, works poorly in today’s digital world of abundance. One manifestation of that is how lawmakers struggle to adapt the existing copyright rules to deal with novel technological developments, like the new generation of …

Walled Culture first wrote about Piracy Shield, Italy’s automated system for tackling alleged copyright infringement in the streaming sector, two years ago. Since then, we have written about the serious problems that soon emerged. But instead of fixing those issues, the government body that runs the scheme, Italy’s AGCOM (the Italian Authority for Communications Guarantees), …

The latest generation of AI systems, based on large language models (LLMs), is perceived as the biggest threat in decades to the established copyright order. The scale of that threat can be gauged by the flurry of AI lawsuits that publishers and others have launched against generative AI companies. Since the first of these, reported …

Back in 2022, Walled Culture wrote about a legal case involving ad blockers. These are hugely popular programs: according to recent statistics, around one billion people use ad blockers when they are online. That’s a testament to the importance many people attach to being in control of their browser experience, and to a wide dislike …

As numerous Walled Culture posts attest, site blocking is in the vanguard of the actions by copyright companies against sites engaged in the unauthorised sharing of material. Over the past few months, this approach has become even more pervasive, and even more intrusive. For example, in France, the Internet infrastructure company Cloudflare was forced to …

It is a measure of how fast the field of AI has developed in the three years since Walled Culture the book (free digital versions available) was published that the issue of using copyright material for training AI systems, briefly mentioned in the book, has become one of the hottest topics in the copyright world, …

A year ago, Walled Culture wrote about a growing risk that we will lose access to the world’s knowledge, because of a failure by traditional academic publishers to place copies of the articles they publish in key backup archives. Although unacceptable, that oversight is more a matter of laziness and cost cutting on the part …

A few weeks ago Walled Culture explored how the leaders in the generative AI world are trying to influence the future legal norms for this field. In the face of a powerful new form of an old technology – AI itself has been around for over 50 years – those are certainly needed. Governments around …

At the heart of Walled Culture the book (free digital versions available) lies the dispiriting saga of how the EU Copyright Directive came into being. It began in early 2013 with the usual “stakeholder dialogue”, in which the European Commission sought the views of the various constituencies affected. It generated an unprecedentedly large response that …

For the last hundred years or so, the prevailing dogma has been that copyright is an unalloyed good, and that more of it is better. Whether that was ever true is one question, but it is certainly not the case since we entered the digital era, for reasons explained at length in Walled Culture the …

Walled Culture the book (free digital versions available) concluded with a look at “true fans”, an alternative way of funding creators that avoids the main problems of the current copyright system. The approach is based on nurturing the connection between artists and their most dedicated fans, allowing the former to generate extra revenue by providing …

A few weeks ago, the UK’s regional and national daily news titles ran similar front covers, exhorting the government there to “Make it Fair”. The campaign Web site explained: Tech companies use creative content, such as news articles, books, music, film, photography, visual art, and all kinds of creative work, to train their generative AI …

Walled Culture has been following closely Italy’s poorly-designed Piracy Shield system. Back in December we reported how copyright companies used their access to the Piracy Shield system to order Italian Internet service providers (ISPs) to block access to all of Google Drive for the entire country, and how malicious actors could similarly use that unchecked …

One of the many interesting aspects of the new wave of artificial intelligence systems is that with them, copyright has moved from the fringe to centre stage. There are continuing debates about what role copyright should play in the world of generative AI, not to mention various lawsuits asking the courts to rule on that …

One of the darker threads of Walled Culture the book (free digital versions available) is how complex copyright enforcement systems can be abused, for example by sending Digital Millennium Copyright Act (DMCA) takedown requests for material that is perfectly legal. A recent post on the Public Citizen blog offers an extreme example of this blight. …