PlayStation reminds people that digital ownership is vanishing, by removing films they had bought

Last month, we wrote about the imminent death of digital ownership. In case some people didn’t get the message, Sony’s PlayStation division has just made it crystal clear (translation by DeepL) with the imminent removal of 314 titles in Germany and 137 in Austria from the distributor StudioCanal: As of 31 August 2022, due to …

Facebook is so sure its erroneous blocking of music is right, there’s no option to say it’s wrong

It’s hardly a secret that upload filters don’t work well. Back in 2017, Felix Reda, then Shadow Rapporteur on the EU Copyright Directive in the European Parliament, put together a representative sample of the many different ways in which filters fail. A recent series of tweets by Markus Pössel, Senior Outreach Scientist at the Max …

Amazon’s doubly amazing achievement in becoming the backbone of Hollywood

Back in March, Walled Culture reported on Amazon’s acquisition of MGM, and how it was a logical move for the company given that it is seeking to establish itself as one of the main video streaming companies, alongside Netflix and Disney. But in the background, Amazon has achieved something even more remarkable, first noted in …

For all the wrong reasons, two great copyright taboos have been broken

The Authors Alliance blog has an interesting post about Disney’s relationship with the duration of copyright in the US. This manifested itself most famously with the US Copyright Term Extension Act, passed in 1998. As the New York Times explained in 2002: The 1998 extension was a result of intense lobbying by a group of …

UK copyright madness is back: ten years in prison for downloading and sharing a single song

One of the problems with the copyright industry lobbying for new laws is that governments often have no problem with passing them, no matter how one-sided and disproportionate their features may be. That’s despite other voices warning of the negative consequences that will flow from doing so. It seems that subservience to the copyright industry’s …

The true fans idea is not just about wishy-washy, feel-good charity: it’s a business too

Walled Culture has written several times about the “true fans” idea as an alternative approach to the traditional remuneration models employed by the copyright industry players, such as publishers, recording companies and film studios. It’s a simple approach: get the people who really love an artist’s work to support it directly, and in advance, rather …

Slow down, Japan: are “fast movies” a substitute for the real thing, or just good marketing?

There’s an interesting post on the TorrentFreak blog about “fast movies“: These heavily edited copies of mainstream movies aim to summarize key plot lines via voice-over narration in about 10 minutes. While no replacement for the real thing, these edits accumulated millions of views and incurred the wrath of rightsholders, leading to the arrest of …

How copyright deprived us of a literary and pictorial mash-up of Dr. Seuss

Dr. Seuss (real name Theodor Geisel) is one of the best-known writers for children. He died in 1991, but his books remain extremely popular. Publishers Weekly has a fascinating story about him, his work and copyright. One part concerns a five-year-long legal dispute between ComicMix, a publisher with a Web site about comics, and Dr. …

A fan’s unique recordings of the Beatles won’t be available online, because of “copyright issues”

There’s a story in the Mail on Sunday that underlines why it is important for people to make copies. It concerns the re-surfacing of rare recordings of the Beatles: In the summer of 1963, the BBC began a radio series called Pop Go The Beatles which went out at 5pm on Tuesdays on the Light …

The digital creator economy: how big is it, and who’s making how much?

One of the most dramatic differences between the traditional, analogue world of creation, and the modern, digital one, is the democratisation that has taken place in this sphere. Until recently, writers, musicians, artists and filmmakers collectively formed a relatively select group that was hard to enter as a professional. Today, anyone with an Internet connection …

Warhol should have said: In the future, every artist will be sued for alleged copyright infringement

A few weeks ago, a Walled Culture blog post looked at the spate of lawsuits over alleged plagiarism in the world of music. Since the root of the problem here is copyright, which seeks to establish a monopoly over even the tiniest elements of creativity, it’s no surprise that exactly the same issue crops up …

The ratchet strikes again: US SMART Copyright Act is even worse than EU upload filters

The EU’s Directive on Copyright in the Digital Single Market is bad news for many reasons. For example, it shows how the copyright industry has succeeded in obtaining yet more legislation to impose its outdated analogue approaches on the digital Internet. It was only able to do that by conducting a dishonest campaign about what …

Recorded music is thriving everywhere: so why keep pushing for yet more bad copyright laws?

Walled Culture has noted various signs that the recorded music industry is thriving, particularly the streaming sector. That state of affairs has now been confirmed officially by the Global Music Report 2022 from the IFPI – the International Federation of the Phonographic Industry – which represents the global recording industry. Here’s the summary: In 2021, …

Copyright concentration continues: Amazon closes its $8.5 billion acquisition of MGM

There are few more famous studios in the history of cinema than MGM. Wikipedia describes its early days: MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Pictures into a single company. It hired a number of well known actors as contract players – its slogan was “more …

Copyright is indispensable for artists, they say; but for all artists, or just certain kinds?

One of the central “justifications” for copyright is that it is indispensable if creativity is to be viable. Without it, we are assured, artists would starve. This ignores the fact that artists created and thrived for thousands of years before the 1710 Statute of Anne. But leaving that historical detail aside, as well as the …

TikTok gets into the music marketing and distribution business

Last month we wrote about an increasingly important trend of digital platforms becoming more involved in digital production. Here’s another striking example: TikTok, best known for its short-form mobile videos, featuring things like dance, jokes, stunts and tricks, has announced the launch of the SoundOn platform, “designed to empower new and undiscovered artists, helping them …

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