Good artists copy, great artists steal – and generative AI does the marketing for both
The attacks on generative AI started out claiming that it was all about protecting the creators whose works were being “stolen” in some mysterious way by virtue of software analysing them. In some cases, that high-minded stance has already degenerated into yet another scheme to pay collecting societies even more for doing next to nothing. …
Google goes on the attack against the “weaponisation of copyright law”; that’s good – now do it routinely
A few weeks ago Walled Culture wrote about how it is possible to deploy the flawed copyright takedown system for anti-competitive purposes. In that case it was the e-commerce company Shopify that alleged its customers were being harmed by false DMCA notices. Now Google has joined in with an important lawsuit that aims to combat …
Scammers who made $23.4 million from Content ID must pay back only $3.4 million to cheated artists
In Walled Culture the book (free digital versions available), I linked to a fascinating Content ID scam that TorrentFreak has been reporting on for some years. It revolved around an extremely simple abuse of YouTube’s Content ID system. Built by Google for a cost of around $100 million, Content ID is a fingerprinting system that …
Organisations call on UK government to safeguard AI innovation from being throttled by copyright
As Walled Culture has often noted, the process of framing new copyright laws is tilted against the public in multiple ways. And on the rare occasions when a government makes some mild concession to anyone outside the copyright industry, the latter invariably rolls out its highly-effective lobbying machine to fight against such measures. It’s happening …
Money talks in the world of copyright legislation, and that’s a big problem for ordinary Internet users
Copyright has always been about money. That’s why the copyright industry fights so hard to strengthen legal protections, in order to boost its profits. However, getting detailed information about how much money is involved, and who receives it, is hard, because there are so many small pieces to the overall copyright ecosystem. That makes a …
Taking open access to the next level, by giving control to researchers, instead of to academic publishers
Back in February 2022, Walled Culture wrote about diamond open access (OA), perhaps the “purest” form of open access publishing, since there are no charges for either the reader or the researcher. In that post, I mentioned an excellent 2021 report on diamond OA, published by the open access group cOAlition S. The group has …
Lawrence Lessig on copyright, generative AI and the right to train
Lawrence Lessig is the Roy L. Furman Professor of Law at Harvard Law School, and one of the biggest names in the world of digital copyright. Walled Culture’s 2021 interview with him runs through many of his key ideas and projects, although sadly he does not work directly in the field of copyright any more. …
How a flawed copyright takedown system is causing problems for online sales of perfume products
The copyright system is flawed at many levels, as hundreds of posts on this blog make clear. One particular class of problems concern takedowns. The best known of the ‘notice and takedown’ systems, that of the US Digital Millennium Copyright Act (DMCA), allows the copyright industry to send takedown notices when they discover infringements on …
European Parliament sabotages the AI Act by failing to recognise that the right to read is the right to train
Walled Culture recently wrote about an unrealistic French legislative proposal that would require the listing of all the authors of material used for training generative AI systems. Unfortunately, the European Parliament has inserted a similarly impossible idea in its text for the upcoming Artificial Intelligence (AI) Act. The DisCo blog explains that MEPs added new …
Here’s another way that AI will reduce ad income for publishers – and what they can do about it
New ways in which the latest AI technology can be applied are popping up all the time. Here’s an interesting example discussed by Ben Werdmuller on his blog, Werd.io. It concerns the proprietary browser Arc, currently only running on macOS and iOS, but with a Windows version promised for later this year. A new feature …
New French copyright law for AI creations would just mean more money for collecting societies
This blog has written a number of times about the reaction of creators to generative AI. Legal academic and copyright expert Andres Guadamuz has spotted what may be the first attempt to draw up a new law to regulate generative AI. It comes from French politicians, who have developed something of a habit of bringing …
Famous writers sue OpenAI for alleged copyright infringement, missing the point again
Last week, a group of prominent writers sued OpenAI, in what is just the latest in a growing number of lawsuits claiming that AI systems are infringing on their copyrights. The New York Times reports: More than a dozen authors filed a lawsuit against OpenAI on Tuesday, accusing the company, which has been backed with …
Copyright’s legal stranglehold on creativity has made putting works into the public domain absurdly hard
Bill Willingham is a well-known writer and artist of comics, famous for his work on the series Elementals and Fables. He’s written a long and interesting post on his blog about the shabby treatment he has suffered at the hands of his publishers, DC Comics, a subsidiary of the entertainment giant, Warner Bros. Discovery, which …
Publisher wants $2,500 to allow academics to post their own manuscript to their own repository
As a Walled Culture explained back in 2021, open access (OA) to published academic research comes in two main varieties. “Gold” open access papers are freely available to the public because the researchers’ institutions pay “article-processing charges” to a publisher. “Green” OA papers are available because the authors self-archive their work on a personal Web …
Unique collection of old TV culture put at risk by a heavy-handed copyright takedown system
Although copyright is mainly thought of as concerning books, music and films, it applies to other kinds of creativity in a fixed form. That includes apparently trivial material such as early commercial television programmes. These are important cultural artefacts, but unlike books, music or films, there are very few formal schemes for collecting and conserving …
Ebook pledge aims to protect libraries and authors from publishers’ growing abuse of copyright
There’s a whole chapter of Walled Culture the book (free digital versions available) devoted to the serious attack on libraries and their traditional functions that is being carried out by major publishers. The latter are using digital copyright law to take advantage of the shift to ebooks by moving from one-off sales to a recurrent …