Libraries

Once copyright’s walls come down, creative material enters the public domain. It is free for all to use, modify and build upon. It is part of the matrix from which future creativity springs. One of the best places to explore it and its importance is the Center for the Study of the Public Domain at …

Open access (OA) – making academic research freely available to all – seems self-evidently a great idea. It’s good for the public, which gains access to work it has funded, and it’s good for researchers, as knowledge about their research reaches a far wider audience than it would trapped behind a publisher’s paywall. Open access …

Yohanna Anderson has just written eloquently about ebook price-gouging by publishers. As she notes, this is not just a UK problem, but affects many countries around the world. In the US, the situation is so serious that various states there have proposed legislation that requires publishers to license ebooks on “reasonable terms”. A post on …

Despite only 10% of university reading list items being available in ebook format, “everything is available in E-format” is a sentence librarians hear often. In the so-called digital age, you cannot blame people for making this assumption. However, ebooks have long been problematic for librarians due to lack of availability. The ebooks that do exist …

When people talk and write about copyright, they generally mean US or EU laws. It’s true that most recent developments in the field – notably many bad ones – have taken place in these two geographic regions. But the dynamics among nations is changing. First came the BRIC group – Brazil, Russia, India, and China …

A few weeks ago, we wondered whether academic publishers might try to shut down the amazing General Index of scientific journals that Carl Malamud has created. There’s a precedent for this kind of legal action against a site providing a service of great benefit to society. Publishers have been trying to shut down the Sci-Hub …

This blog has written recently about the disproportionate power wielded by YouTube in both the video streaming sector, and as part of the music industry. Sadly, that is not an isolated problem, as this press release from the US Justice Department makes clear: The U.S. Department of Justice filed a civil antitrust lawsuit today to …

A little while back, the Guardian covered the rising literary power of BookTok – short videos on TikTok devoted to the pleasures and pains of reading. As well as plenty of background information about the BookTok phenomenon, it has the following perceptive comment from Kat McKenna, a marketing and brand consultant specialising in children’s and …

Copyright as we know it goes back to the Statute of Anne of 1710. A law that old is clearly going to struggle to cope with the enormous changes in technology that have taken place since then – notably the Internet. But even relatively recent copyright laws were framed in ways that have become unworkable …

A few weeks ago, we wrote about copyright’s absurdly long term, which typically lasts for 70 years after a creator’s death. That it makes it hard for other artists to build on the work of their contemporaries, or even on those who were working half a century before. But there’s another, even larger problem caused …

One of the exciting possibilities opened up by the digital world is that access to all human knowledge could be made freely available to everyone with an Internet connection. Sadly, most publishers prefer boosting their profits to helping humanity, and have done everything they can to make sure that this possibility is never realised. Despite …

Physical books can be bought, shared, and accessed in libraries quite easily. Films in a physical form, on the other hand, are hard to acquire, share or view in archives. Writing in the Guardian, the non-fiction filmmaker Charlie Shackleton says that 90% of archive collections consist of film prints that will never be seen. Moreover, …

Most people would agree that those who are blind or visually impaired deserve all the help they can get. For example, the conversion of printed materials to accessible formats like Braille, large print, or Digitally Accessible Information System (DAISY) formats, ought to be easy. Who could possibly object? For years, many publishers did; and the …

Scholar, writer, editor, content developer, and publishing and library consultant, Mirela Roncevic talks about the long journey of open access and open science, how to pay for scholarly monographs, and the complex challenges of e-book lending. Do you prefer watching our passionate interviewees talking about the 21st-century walls blocking access to culture? Then check out …

As we mentioned a couple of weeks ago, the standard copyright term of life plus 70 years makes no sense: a promise that they’ll be paid after their death is unlike to stimulate extra creativity from artists. Conscious of how weak this argument is as a justification for extremely long copyright, supporters have come up …

Thirty years ago, copyright law was boring. It was the province of specialised lawyers, and had very little direct impact on ordinary people’s lives. The Internet changed all that. Now, everyone online is affected by copyright, which comes into play whenever people create something in a fixed form, like a post, or when they share …