Media

Walled Culture the book (free digital versions available) concluded with a look at “true fans”, an alternative way of funding creators that avoids the main problems of the current copyright system. The approach is based on nurturing the connection between artists and their most dedicated fans, allowing the former to generate extra revenue by providing …

A few weeks ago, the UK’s regional and national daily news titles ran similar front covers, exhorting the government there to “Make it Fair”. The campaign Web site explained: Tech companies use creative content, such as news articles, books, music, film, photography, visual art, and all kinds of creative work, to train their generative AI …

Walled Culture has been following closely Italy’s poorly-designed Piracy Shield system. Back in December we reported how copyright companies used their access to the Piracy Shield system to order Italian Internet service providers (ISPs) to block access to all of Google Drive for the entire country, and how malicious actors could similarly use that unchecked …

One of the darker threads of Walled Culture the book (free digital versions available) is how complex copyright enforcement systems can be abused, for example by sending Digital Millennium Copyright Act (DMCA) takedown requests for material that is perfectly legal. A recent post on the Public Citizen blog offers an extreme example of this blight. …

Walled Culture has been following the sorry saga of Italy’s automated blocking system Piracy Shield for a year now. Blocklists are drawn up by copyright companies, without any review, or the possibility of any objections, and those blocks must be enforced within 30 minutes. Needless to say, such a ham-fisted and biased approach to copyright …

The Digital Millennium Copyright Act (DMCA) was passed in the US in 1998, at an early stage of the shift to a digital world, with little concern for the serious harm it would cause as everything became suffused with software. The problem is that the DMCA prevents circumvention of copyright protection measures (generally known as …

Walled Culture has been writing about Italy’s Piracy Shield system for a year now. It was clear from early on that its approach of blocking Internet addresses (IP addresses) to fight alleged copyright infringement – particularly the streaming of football matches – was flawed, and risked turning into another fiasco like France’s failed Hadopi law. …

One of the many interesting aspects of the current enthusiasm for generative AI is the way that it has electrified the formerly rather sleepy world of copyright. Where before publishers thought they had successfully locked down more or less everything digital with copyright, they now find themselves confronted with deep-pocketed companies – both established ones …

One of the reasons that today’s copyright is such a bad fit for the modern digital world is that its roots lie deep in 18th-century law and analogue objects like books. This fact has created a kind of legislative drag that means copyright is always decades behind the latest technological developments. A case in point …

It seems so long ago that people were trying to stop the worst aspects of the EU Copyright Directive. It was quite a battle, as Chapter 6 of Walled Culture the book (free digital versions available) recounts in detail. The final legislation was passed in March 2019, but it is important not simply to accept …

Even though parents insist that it is good and right to share things, the copyright world has succeeded in establishing the contrary as the norm. Now, sharing is deemed a bad, possibly illegal thing. But it was not always thus, as a fascinating speech by Ryan Cordell, Associate Professor in the School of Information Sciences …

One of the supposed justifications for the intellectual monopoly called copyright is that it drives creativity and culture. In the last few weeks alone we have had multiple demonstrations of why the opposite is true: copyright destroys culture, and not by accident, but wilfully. For example, the MTVNews.com site, along with its sister site CMT.com, …

One of the central ideas of Walled Culture the book (free digital versions available) is that there is a fundamental difference between analogue and digital, and that copyright fails to recognise that. Instead, it seeks to impose what is an inherently analogue approach based on scarcity to the online world where abundance is the norm. …

It is hard to imagine the world without the Web. Collectively, we routinely access billions of Web pages without thinking about it. But we often take it for granted that the material we want to access will be there, both now and in the future. We all hit the dreaded “404 not found” error from …

The problems and unfairness of the copyright system are so manifest that many would like to adopt alternative approaches. But that’s a big step, and one that undoubtedly requires a certain courage. Every example that shows how the move worked for others is important, since it not only demonstrates that alternatives exist, but that they …

At the heart of Walled Culture the book (free digital versions available) lies the sorry tale of the EU Copyright Directive. Its stated aim appeared reasonable enough: to update EU copyright law for the digital age. But unprecedented lobbying by the copyright industry saw it become yet another failure to understand the online world, and …