Music

The central theme of Walled Culture the book (free digital versions available) is the growing incompatibility between traditional copyright law and the digital, online world. The culmination of that process was the EU Copyright Directive, passed in 2019. The Directive was supposed to be transposed into local laws by 2021, but a year after that …

Google didn’t invent full-text search of the Internet – that honour belongs to early pioneers such as WebCrawler, Lycos and AltaVista. But for the last 25 years or so, Google has been synonymous with online searching, providing the quickest and most effective way to find things online (although its results may be getting worse.) More …

One of the best demonstrations that an obsession with protecting copyright’s intellectual monopoly drives politicians insane is the French law known as Hadopi, an acronym for ‘Haute Autorité pour la diffusion des oeuvres et la protection des droits sur internet’ (High Authority for the Dissemination of Works and the Protection of Rights on the Internet). …

As readers of this blog have doubtless noticed, the latest hot tech – and investment – area involves “agentic AI”, where AI systems are allowed to operative autonomously on allocated tasks. There’s no doubt there are some exciting possibilities here, as well as some troubling issues concerning lack of control. It’s a rapidly-evolving area of …

Walled Culture the book (free digital versions available) was launched just over three years ago. A few weeks afterwards, I talked with journalist and editor Maria Bustillos about the book and its background, as part of the Internet Archive’s Book Talk series. That interview has just been added to the Future Knowledge Podcast series in …

Walled Culture has written a number of times about the true fans approach – the idea that creators can be supported directly and effectively by the people who love their work. As Walled Culture the book explains (available as a free ebook), one of the earliest and best expositions of the concept came from Kevin Kelly, …

The latest generation of AI systems, based on large language models (LLMs), is perceived as the biggest threat in decades to the established copyright order. The scale of that threat can be gauged by the flurry of AI lawsuits that publishers and others have launched against generative AI companies. Since the first of these, reported …

For the last hundred years or so, the prevailing dogma has been that copyright is an unalloyed good, and that more of it is better. Whether that was ever true is one question, but it is certainly not the case since we entered the digital era, for reasons explained at length in Walled Culture the …

Walled Culture the book (free digital versions available) concluded with a look at “true fans”, an alternative way of funding creators that avoids the main problems of the current copyright system. The approach is based on nurturing the connection between artists and their most dedicated fans, allowing the former to generate extra revenue by providing …

Walled Culture has been following the sorry saga of Italy’s automated blocking system Piracy Shield for a year now. Blocklists are drawn up by copyright companies, without any review, or the possibility of any objections, and those blocks must be enforced within 30 minutes. Needless to say, such a ham-fisted and biased approach to copyright …

One of the many interesting aspects of the current enthusiasm for generative AI is the way that it has electrified the formerly rather sleepy world of copyright. Where before publishers thought they had successfully locked down more or less everything digital with copyright, they now find themselves confronted with deep-pocketed companies – both established ones …

Taylor Swift is in the news, and not just because she has become the most decorated solo artist of all time. The fact that Taylor Swift has already been mentioned multiple times on Walled Culture underlines that she is also an important – if surprising – figure in the world of copyright. That’s because Swift …

One of the supposed justifications for the intellectual monopoly called copyright is that it drives creativity and culture. In the last few weeks alone we have had multiple demonstrations of why the opposite is true: copyright destroys culture, and not by accident, but wilfully. For example, the MTVNews.com site, along with its sister site CMT.com, …

One of the arguments sometimes made in defence of copyright is that without it, creators would be unable to compete with the hordes of copycats that would spring up as soon as their works became popular. Copyright is needed, supporters say, to prevent less innovative creators from producing works that are closely based on new, …

Back in October last year, Walled Culture wrote about a proposed law in France that would see a tax imposed on AI companies, with the proceeds being paid to a collecting society. Now that the EU’s AI Act has been adopted, it is being invoked as another reason why just such a system should be …

Walled Culture has been warning about the financialisation and securitisation of music for two years now. Those obscure but important developments mean that the owners of copyrights are increasingly detached from the creative production process. They regard music as just another asset, like gold, petroleum or property, to be exploited to the maximum. A Guest …