Concordance: how Discord has become the latest hot platform for creators to engage with true fans

Walled Culture has just written about the new Scriber platform, which is designed to make it easier for artists to keep their fans close and happy. But the increasing desire to engage with people who love what an artist is doing, and not just drop products on them from on high, is leading many creators …

UK copyright madness is back: ten years in prison for downloading and sharing a single song

One of the problems with the copyright industry lobbying for new laws is that governments often have no problem with passing them, no matter how one-sided and disproportionate their features may be. That’s despite other voices warning of the negative consequences that will flow from doing so. It seems that subservience to the copyright industry’s …

The true fans idea is not just about wishy-washy, feel-good charity: it’s a business too

Walled Culture has written several times about the “true fans” idea as an alternative approach to the traditional remuneration models employed by the copyright industry players, such as publishers, recording companies and film studios. It’s a simple approach: get the people who really love an artist’s work to support it directly, and in advance, rather …

Creators everywhere are struggling, copyright is failing them: time to find something better

The Guardian has an interesting feature looking at how Australian artists from working-class backgrounds face greater obstacles to succeeding than those from other social classes do. It contains some useful statistics about how much creators in that country earn: In 2017, in the last major study done on the issue, the Australia Council found that …

A fan’s unique recordings of the Beatles won’t be available online, because of “copyright issues”

There’s a story in the Mail on Sunday that underlines why it is important for people to make copies. It concerns the re-surfacing of rare recordings of the Beatles: In the summer of 1963, the BBC began a radio series called Pop Go The Beatles which went out at 5pm on Tuesdays on the Light …

“Red hot music copyrights market” leaves most creators out in the cold

Last week, Walled Culture wrote about the juicy £230 million pay that the head of Universal Music Group (UMG) took home up last year. That may be exceptional for one individual, but there’s plenty of money sloshing around elsewhere in the ecosystem. A news item in the Financial Times (FT) reports on attempts by Providence …

Universal Music Group boss took home £230 million last year: is that really fair?

Last year, Walled Culture reported on the highly-successful Universal Music Group (UMG) IPO on Amsterdam’s Euronext exchange, which valued the company at €45 billion (over $50 billion). The post noted that the chief executive of the UMG, Sir Lucian Grainge, might pick up a bonus of $170 million as a result. According to the Times …

The digital creator economy: how big is it, and who’s making how much?

One of the most dramatic differences between the traditional, analogue world of creation, and the modern, digital one, is the democratisation that has taken place in this sphere. Until recently, writers, musicians, artists and filmmakers collectively formed a relatively select group that was hard to enter as a professional. Today, anyone with an Internet connection …

Top EU court hands down judgment on upload filters that is as clear as mud

Walled Culture has just written about the great difficulty national governments are having in transposing the EU Copyright Directive into local law. That’s largely because of the badly-drafted and contradictory Article 17. It effectively calls for upload filters, which have obvious problems for freedom of expression because of the impossibility of crafting algorithms that encapsulate …

The EU Copyright Directive is so bad it’s proving really hard to transpose into decent national laws

Walled Culture has written numerous posts about the EU Copyright Directive, because it contains two extremely harmful ideas. The first is the “snippet tax“, an attempt by some press publishers to make sites like Google pay for the privilege of displaying and linking to newspaper publishers’ material – an assault on the Web’s underlying hyperlink …

Ed Sheeran wins copyright lawsuit, but now films himself as he writes songs to forestall more litigation

Last month Walled Culture wrote about Ed Sheeran being sued for alleged copyright infringement – one of many such lawsuits.  Happily, he won, because the judge understood how music works, as his comments show, reported here by Music Business Worldwide: The use of the first four notes of the rising minor pentatonic scale for the …

The ratchet strikes again: US SMART Copyright Act is even worse than EU upload filters

The EU’s Directive on Copyright in the Digital Single Market is bad news for many reasons. For example, it shows how the copyright industry has succeeded in obtaining yet more legislation to impose its outdated analogue approaches on the digital Internet. It was only able to do that by conducting a dishonest campaign about what …

Recorded music is thriving everywhere: so why keep pushing for yet more bad copyright laws?

Walled Culture has noted various signs that the recorded music industry is thriving, particularly the streaming sector. That state of affairs has now been confirmed officially by the Global Music Report 2022 from the IFPI – the International Federation of the Phonographic Industry – which represents the global recording industry. Here’s the summary: In 2021, …

Copyright concentration continues: Amazon closes its $8.5 billion acquisition of MGM

There are few more famous studios in the history of cinema than MGM. Wikipedia describes its early days: MGM was formed by Marcus Loew by combining Metro Pictures, Goldwyn Pictures, and Louis B. Mayer Pictures into a single company. It hired a number of well known actors as contract players – its slogan was “more …

Copyright is indispensable for artists, they say; but for all artists, or just certain kinds?

One of the central “justifications” for copyright is that it is indispensable if creativity is to be viable. Without it, we are assured, artists would starve. This ignores the fact that artists created and thrived for thousands of years before the 1710 Statute of Anne. But leaving that historical detail aside, as well as the …

TikTok gets into the music marketing and distribution business

Last month we wrote about an increasingly important trend of digital platforms becoming more involved in digital production. Here’s another striking example: TikTok, best known for its short-form mobile videos, featuring things like dance, jokes, stunts and tricks, has announced the launch of the SoundOn platform, “designed to empower new and undiscovered artists, helping them …

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