Interview | Evan Greer & Lia Holland: Rethinking Copyright, Fighting Creative Monopolies, and Putting an End to Enforcement Excesses

Fight for the Future’s Director, Evan Greer, and Campaigns and Communications Director, Lia Holland, are both digital rights activists who have been active in the music industry. Based…

YouTube is “neck-and-neck with Netflix”, and bigger than the world’s entire recording industry

Everyone knows that Google (strictly speaking, the parent company, Alphabet) is a digital giant. But recent figures reveal that YouTube alone is also enormous, and in two markets:…

Moving beyond dysfunctional copyright: true fans, and a new middle class for the creator economy

It’s easy pointing out that copyright is deeply dysfunctional: there are new examples of the profound mismatch between this 18th-century law and 21st-century creativity coming to light every…

Technological progress + outdated copyright laws = huge swathes of our cinematic culture lost forever

Physical books can be bought, shared, and accessed in libraries quite easily. Films in a physical form, on the other hand, are hard to acquire, share or view…

Why copyright’s absurdly long term is no big friendly giant to creators and their public

As this blog noted last week, nowadays copyright in a work can easily last more than a century. A recent piece of news shows what that can mean…

Until the recording industry’s monopoly power is broken, musicians may need to go independent

We’ve just written about the terrible deal that most musicians get from the increasingly-popular streaming of their music. A post on Boing Boing explores another aspect of the…

We don’t have walled culture because of piracy, but because of corporate profiteering

Last week, Universal Music Group (UMG) went public on Amsterdam’s Euronext exchange, and ended up with a valuation of 45 billion euros (over $50 billion). An article on…
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