Auguste Rodin’s sculptures are in the public domain; 3D scans of them should be, too

Auguste Rodin is without doubt one of the greatest sculptors in history. Equally without doubt, his works are now in the public domain, since he died in 1917.…

Interview | Katherine Maher: The Monkey Selfie, Public Domain, Freedom of Panorama, the EU Copyright Directive, Remix Culture, & the 20th Century Black Hole

Katherine Maher, advocate for free and open societies, is the former CEO and Executive Director of the Wikimedia Foundation. Her background is in the field of information and…

Beyond a game: Microsoft swallows up Activision, a further concentration of power in a few digital giants

This blog has written a couple times about YouTube‘s dominance in the video sector. Spotify may well create a similar leading position for itself in music streaming, while…

Rock star worth $450 million wins copyright case against widow who offered bootleg CD for €9.95

As the very first post on this blog pointed out, copyright is fundamentally unsuited to the digital world. It assumes that copying material is hard, and can therefore…

Interview | Salvador Alcántar Morán: Mexican Copyright Unfit-for-purpose in the Digital age, the Public Domain as a Human Right, and the Need for a True Multistakeholder Approach and a Global Perspective on Copyright

Salvador Alcántar Morán is a lawyer, focused on digital copyright, educational technology and digital communications. He is the co-founder of Wikimedia Mexico and of Creative Commons Mexico. He…

It took a 15-year fight to be allowed to use an existing DRM exception: who still thinks copyright is fair?

In his Walled Culture interview, Cory Doctorow explains cogently why Digital Rights Management (DRM) is such a disaster. It’s also pointless: DRM can always be broken, and once…

Public Domain Day is here again: it should be an occasion for condemnation, not celebration

Once copyright’s walls come down, creative material enters the public domain. It is free for all to use, modify and build upon. It is part of the matrix…

Interview | Brewster Kahle: Libraries’ Role, 3 Internet Battles, Licensing Pains, the National Emergency Library, and the Internet Archive’s Controlled Digital Lending Efforts vs. the Publishers’ Lawsuit

Brewster Kahle is founder and Digital Librarian of the Internet Archive, one of the largest libraries in the world. Next to his mission to provide universal access to…

How to add much-needed zest to copyright: treating creators fairly by leaving them in control

One theme that is appearing more frequently both here on Walled Culture, and in wider coverage of the copyright world, is the idea that creators should remain in…

Adding DRM code to games is hardly fair play: it can slow them down and even stop them from loading

Digital Rights Management (DRM) is a strange thing. It is software code that is added to a product without providing any benefit to the user. It is designed…

Squaring the music streaming circle: fair remuneration for artists, easy discoverability for users

Streaming dominates the recording music industry today, and everyone assumes that things won’t change for a while. But there are two opposing aspects of the current business models…

Copyright law discriminating against the blind finally struck down by court in South Africa

Most people would agree that those who are blind or visually impaired deserve all the help they can get. For example, the conversion of printed materials to accessible…

Longer copyright protection means fewer books are available, and they cost more

As we mentioned a couple of weeks ago, the standard copyright term of life plus 70 years makes no sense: a promise that they’ll be paid after their…

Interview | Cory Doctorow [Part 1]: Newspapers, Big Tech, Link Tax, DRM and Right to Repair

Author, journalist, and activist Cory Doctorow talks about the evolution of newspapers, the role and threats posed by big tech, the collateral damage created by link taxes and…

Applying (artificial) intelligence to the Copyright Directive’s stupid idea of upload filters

Last week the European Union’s top court, the Court of Justice of the European Union (CJEU), handed down its judgment on whether upload filters should be allowed as…

First-mover advantage in the arts means copyright isn’t necessary to protect innovative creativity

One of the arguments sometimes made in defence of copyright is that without it, creators would be unable to compete with the hordes of copycats that would spring…
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