How private equity has used copyright to cannibalise the past at the expense of the future

Walled Culture has been warning about the financialisation and securitisation of music for two years now. Those obscure but important developments mean that the owners of copyrights are…

“Red hot music copyrights market” leaves most creators out in the cold

Last week, Walled Culture wrote about the juicy £230 million pay that the head of Universal Music Group (UMG) took home up last year. That may be exceptional…

First financialisation, now securitisation: copyright music industry moves further away from artists

I’ve written a couple of times about a worrying new trend: music copyrights becoming completely divorced from the original creativity that lies behind them, thanks to the increasing…

How the financialisation of music could lead to demands for perpetual copyright

Back in October, this blog noted the huge amounts of money pouring into music copyrights, largely driven by the global rise of online streaming. Since then, that trend…
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